At the heart of this variation in the Cyklone series, a primary, geometric form emerges like a solid core that acts as a gravitational center. The surfaces are built up in layers, alternating between matte areas and denser highlights.
The initial form, simple in appearance, becomes a matrix: depending on the angle, it condenses light, structures space, and brings out the vibrancy of textural contrasts, as if all the energy of the painting were concentrated on this minimal architecture. This tension between the stability of form and the instability of its rendering gives the work its energy: a simple structure caught in the tumult of phenomena.
Excerpt from the video “Cyklone” – Movement 4
